Saturday, July 18, 2015

24.4. Save this (saved only for) for notes for Project on WWI. Louis Sheehan.

note: double check list of names


English Artists' Protest

Art lovers in Great Britain have drawn up a protest against the vandalism of German soldiers. Copies of this protest have been sent to the Comte de Lalaing, Belgian Minister in London; the American Ambassador, with a humble request that it may be forwarded to the President of the United States; and Baron Kervyn de Lettenhove, Art Adviser to the Belgian Government. Those who have signed include well-known collectors, Trustees of the British Museum, the National Gallery, the National Portrait Gallery, and the National Galleries of Scotland; the Director and Principal Librarian of the British Museum; the Directors of the National Gallery, the Victoria and Albert Museum, and the National Galleries of Scotland and Ireland; the Keepers of the Wallace Collection and the National Gallery of British Art; Keepers in the British Museum; the Joint Honorary Secretaries of the National Art Collections Fund, and many critics and others prominent in the art world.
The whole civilized world has witnessed with horror the terrible effects of modern warfare on helpless inhabitants of Belgium and France, and on ancient buildings and other works of art which are the abiding monuments of the piety and culture of their ancestors.
Some of the acts of the invading German army against buildings may be defensible from the military standpoint; but it seems certain from present information that in some signal instances, notably at Louvain and Rheims, this defense cannot hold good against the mass of evidence to the contrary.
The signatories of this protest claim that they are in no sense a partisan body. Their contention in this matter is that the splendid monuments of the arts of the Middle Ages which have been destroyed or damaged are the inheritance of the whole world, and that it is the duty of all civilized communities to endeavor to preserve them for the benefit and instruction of posterity. While France and Belgium are individually the poorer from such wanton destruction, the world at large is no less impoverished.
On these grounds, therefore, we desire to express our strong indignation and abhorrence at the gratuitous destruction {131}of ancient buildings that has marked the invasion of Belgium and France by the German Army, and we wish to enter a protest in the strongest terms against the continuance of so barbarous and reckless a policy. That it is the result of a policy, and not of an accident, is shown by the similarity of the fate of Louvain, Malines, Termonde, Senlis, and finally Rheims.
Many of us have had the opportunity of showing that our love and respect for art are not bounded by our nationality, but we feel compelled to publish to the world our horror and detestation of the barbarous acts committed by the army that represents a country which has done so much to promote and advance the study of art and its history.
The signatories are:
DEVONSHIRE.
CHOLMONDELEY.
LANSDOWNE.
FEVERSHAM.
MABEL FEVERSHAM.
LEICESTER.
LONSDALE.
NORMANTON.
NORTHBROOK.
PLYMOUTH.
DILLON.
ALINGTON.
D'ABERNON.
ISABEL SOMERSET.
FREDERICK L. COOK.
AUDLEY D. NEELD.
HERBERT RAPHAEL.
SIDNEY COLVIN.
MARTIN CONWAY.
CHARLES HOLROYD.
FREDERIC G. KENYON.
HUGH LANE.
FRANCIS BEAUFORT PALMER.
C. HERCULES READ.
CECIL HARCOURT SMITH.
ISIDORE SPIELMANN.
HERBERT B. TREE.
WHITWORTH WALLIS.
CHARLES AITKEN.
OTTO BEIT.
MAURICE W. BROCKWELL.
A.H. BUTTERY.
C.S. CARSTAIRS.
JAMES L. CAW.
HERBERT COOK.
D.H.S. CRANAGE.
LIONEL CUST.
CAMPBELL DODGSON.
CHARLES DOWDESWELL.
DAVID ERSKINE.
H.A.L. FISHER.
J.L. GARVIN.
PERCIVAL GASKELL.
ALGERNON GRAVES.
JAMES GREIG.
O. GUTEKUNST.
EDWARD HUTTON.
G.B. CROFT-LYONS.
D.S. MACCOLL.
ERIC MACLAGAN.
G. MAYER.
MORTIMER MENPES.
ALMERIC H. PAGET.
J.S.R. PHILLIPS.
G.N. COUNT PLUNKETT.
JANET ROSS.
ROBERT ROSS.
M.E. SADLER.
MARION SPIELMANN.
A.J. SULLEY.
D. CROAL THOMSON.
T. HUMPHRY WARD.
W.H. JAMES WEALE.
FREDERICK A. WHITE.
R.C. WITT.

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